Wave Picture perfect


QUAINT, pleasant, parochial, kooky, out on a limb – The Wave Pictures‘ home village of Wymeswold has certainly influenced the band’s debut album Instant Coffee Baby.
For The Wave Pictures exude the same kind of ramshackle charm and quintessential rural English qualities as the countryside that spawned them.
Frontman David Tattersall, although not blessed with the best singing voice in the world, demostrates a likeable sense of humour as dry as a Oscar Wilde’s funny bone.
For example on I Love You Like A Madman he quips “I’ll buy you bras instead of pickled eggs, chocolate instead of chutney” over the band’s dishevelled rural indie in a way that all boyfriends who ever had good intentions can empathise with.
My only criticism of the group, who can be rightfully proud of their label debut is that after all the promising demos and EPs, Instant Coffee Baby still sounds like it was recorded in the village hall, and not in a plush studio on a big budget where this band patently belong.

Goodness gracious…


SO IN your face are young guns Hadouken! that even their name is a form of attack.
Luckily the title is an apt one for the Leeds-based grime group, who sound like Dizzee Rascal stealing The Klaxons‘ mobile phones.
For the five-piece are the furious ball of firey energy that the name suggests – from the menacing opening Get Smashed Gate Crash to the flurry of That Boy That Girl to the incessant Crank It Up.
Rough around the edges doesn’t cover Music For An Accelerated Culture‘s grindie ASBO-disco – it’s clear the group are wide-eyed with more than just the naivity of youth, which ultimately makes for a listen as frustrating as it is exhilarating, although on tracks such as the latest single Decleration Of War the group show they may have the legs to take their sound further.
I would have loved this to have come out when I was a teen – the album reminds me of The Prodgy‘s Experience, all energy, intoxicants and raw promise.
As they sing on the opening track: “We are the wasted youth, and we are the future too.”

Classic four – Automatica choice

OF ALL the bands you’d have expected to spawn a side project of groovy dance-floor filling hip-hop, screaming hardcore outfit Glassjaw would be pretty far down the list.
However frontman Daryl Palumbo, whose inimitable vocal style is more heavily influenced by his Chrone’s disease than any singer, created Head Automatica in 2004 to indulge his love for the distinctly un-Glassjaw genres of hip hop and Britpop.
With Dan The Automator of Gorillaz and Handsome Boy Modeling School fame at the mixing desk, the resulting Decadance album is a triumphant clash of styles.
With raggae-influenced skanking hip-hop beats meeting glittery electronica and funk-soaked indie guitar licking backing a toned-down Palumbo, Decadance was a classic that woefully slipped under the radar.
However, lucky for us, 2008 should see in long-awaited third albums from both Head Automatica and Glassjaw.

Wave hello

THE best ever band to come out of Wymeswold ever, The Wave Pictures, are all set to release their debut album Instant Coffee Baby on May 5.

Single Strange Fruit For David, the second to be taken from the forthcoming album, will be released on April 28, and The Wave Pictures will also be undertaking a short UK tour including a date at Nottingham’s Social on April 27.
Expect good things from the band’s dishevelled indie sound.

Back to The Futureheads


JUDGING by The Futureheads‘ forthcoming album This Is Not The World, the band are looking to their past for inspiration.
Following an underwhelming response to their difficult second album News & Tributes and a split from their label, the Sunderland band have returned to the angular post-punk of their debut for their third gamble.
And on tracks like opening salvo and single Beginning Of The Twist and title track This Is Not The World the band sound back to their ferociously quirky best.
However the album soon becomes too full of filler – for example Think Tonight sounds like an Andrew WK b-side – to stand shoulder-to-shoulder with their eponymous debut.
This is not The Futureheads back to their best, but it is a good start.